Johann Sebastian Bach: Sonata from Cantata 182 “Himmelskönig sei willkommen – Voices of Music, Hanneke van Proosdij, David Tayler, Rachel Podger, Carla Moore, Kati Kyme, Elizabeth Blumenstock, Lisa Grodin, William Skeen, Farley Pearce, Katherine Heater


The opening sonata from Bach’s Cantata “Himmelskönig, sei willkommen” BWV182–a beautiful work for solo violin and recorder with string accompaniment. Rachel Podger & Hanneke van Proosdij, soloists; live, 4K UHD video from our concert at the Berkeley Early Music Festival, June, 2016. Voices of Music FAQ
Q. How can I support Voices of Music?
A. Donate here: https://voicesofmusic.org/donate.html and we will make more videos like this one 🙂 These videos cost thousands of dollars to make, and the money comes from individual donors.
Q. Where can I learn more about this music?
A. You can visit our website, https://www.voicesofmusic.org/ Also, subscribe to our video channel! Just click on the logo on our videos.
Q. Where can we hear you play in concert?
A. We perform in the San Francisco Bay Area. For a concert schedule, visit our website or join our mailing list https://www.voicesofmusic.org/
Q. Where can I buy CDs?
A. Our CDs are available on iTunes, Google, Amazon, CD Baby and just about everywhere; you can also buy a CD in a jewel case from Kunaki: https://www.voicesofmusic.org/cds.html
Q. What is Early Music performance, or historical performance?
A. We play on instruments from the time of the composers, and we use the original music and playing techniques: it’s a special sound.
Q. Why are there no conductors?
A. Conductors weren’t invented until the 19th century; since we seek to recreate a historical performance, the music is led from the keyboard or violin, or the music is played as chamber music~or both 🙂
Q. What are period instruments or original instruments; how are they different from modern instruments?
A. As instruments became modernized in the 19th century, builders and players tended to focus on the volume of sound and the stability of tuning. Modern steel strings replaced the older materials, and instruments were often machine made. Historical instruments, built individually by hand and with overall lighter construction, have extremely complex overtones—which we find delightful. Modern instruments are of course perfectly suited to more modern music.
Q. Why is the pitch lower, or higher?
A. Early Music performance uses many different pitches, and these pitches create different tone colors on the instruments.
See https://goo.gl/pVBNAC Every two years, the San Francisco Early Music Society presents some of the finest ensembles in the world at the Berkeley Early Music Festival; we hope you enjoy this work from the “Art of the Baroque Violin” concert with Rachel Podger. Voices of Music Hanneke van Proosdij & David Tayler, directors Rachel Podger, Carla Moore, Kati Kyme & Elizabeth Blumenstock (center, left to right), baroque violins Hanneke van Proosdij, recorder Lisa Grodin, baroque viola William Skeen, baroque cello Farley Pearce, violone Katherine Heater, baroque organ David Tayler, archlute Special thanks to the San Francisco Early Music Society and BFX 2016 for presenting these concerts. Visit SFEMS on the web at http://sfems.org/
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